French, 1681-1754 Related Paintings of Jacques Rigaud :. | View of the Parterre from the Portico of the House | View from the foot of the Pyramid | View from the Gibbs Building | View of the Temple by the Water | View from the Head of the Lake | Related Artists:
Octave Penguilly - L HaridonParis 1811 - Paris 1870.
French Painter.
Joos de MomperFlemish Baroque Era Painter, 1564-1635
known as Josse de Momper, is one of the most important Flemish landscape painters between Pieter Brueghel the Elder and Peter Paul Rubens. Brueghel's influence is clearly evident in this many of de Momper's paintings.
Born in 1564 in Antwerp, Joos de Momper was first apprenticed to his father. In the 1580s, he travelled to Italy to study art. De Momper primarily painted landscapes, the genre for which he was well-regarded during his lifetime. He painted both fantasy landscapes, viewed from a high vantage point and employing a conventional Mannerist color transition of brown in the foreground to blue and finally green in the background, and more realistic landscapes with a lower viewpoint and more natural colors. His wide panoramas also feature groups of figures. Only a small number of the 500 paintings attributed to De Momper are signed, and just one is dated.
Johan Christoffer Boklund (15 July 1817 - 9 December 1880) was a Swedish history, genre, and portrait painter from Kulla-Gunnarstorp in Scania.He was the son of a gardener. At the age of fifteen, Boklund came to Lund, where he worked on illustrations for Sven Nilsson's works on Scandinavian fauna (under the supervision of Magnus Körner). He then became a student at the Royal Danish Academy of Fine Arts in Copenhagen where J. L. Lund was his teacher.
In 1837, Boklund went to Stockholm and began studying at the Royal Swedish Academy of Arts. He made a living as a lithograph and drawing teacher, and produced several small genre paintings of the everyday life (such as Flicka med blomster (English: Girl with flowers) and Köksinteriör (English: Kitchen interior)) and history paintings of the 17th century (such as Gustaf Adolfs afsked från Maria Eleonora (English: Gustaf Adolf's farewell from Maria Eleonora), which was awarded with a medal at the academy).
Together with fellow Swedish painter Johan Fredrik Höckert, Boklund traveled to Munich in Germany in 1846 and stayed there for eight years. During the summers he went on study trips to Bavaria, Tyrol, and northern Italy. During this period, Boklund primarily devoted his painting to the history genre with subjects from the 17th century, but he also made some paintings depicting picturesque and architectural interior. In 1853, he sent his painting Den nyfikne trumpetaren (English: The curious trumpet player) home to Sweden and it earned him a scholarship from the government. This allowed Boklund to move to Paris, where he worked at Thomas Couture's atelier from 1854 to 1855. In December 1855 he returned to Sweden.